颜磊

追光(升级版)
Sparkling (upgraded)

颜磊2009年为尤伦斯当代艺术中心个人展览“追光(升级版)”创作的作品,沿用了其一向混合着复杂情感的、人工化的、歧义性的现实主义方法;这些作品中的形象来源于尤伦斯当代艺术中心馆长杰罗姆.桑斯为中国当代艺术生产关系中的艺术家、收藏家等拍摄的照片,杰罗姆.桑斯很长时间以来一直在其置身其中的世界艺术圈拍摄各种人物的宝丽来相片;颜磊用这种即兴的、带有模糊性的照片制作了灯箱,在展厅中配以来自其作品团的墙纸及炫目的水晶地板,渲染出的一种一贯的模糊、绚烂和令人晕眩的环境。在此,艺术家想提出什么问题?

—–摘自郭小彦“颜磊:批判语境中的进退维谷”

Yan Lei”s solo exhibition “sparkling (upgrade version)” UCCA 2009, continue to follow the mix of complex emotions, artificial and realistic method of ambiguity; The image of these works from the UCCA curator Jerome Sans took photos about relations of production in Chinese contemporary art of artists, collectors and other photographs, Jerome Sans has long time been take Polaroid pictures variety of people in the worlds art scene. Yan Lei use this impromptu, with a fuzzy photo produced light box, in the exhibition together with works from the group of wallpaper and its dazzling crystal floor, rendering out a consistent fuzzy, gorgeous and dizzying environment. Here, the artist would like to pose any problems?

—–Text by Guo Xiaoyan: Latitude within the context of the critical